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Wild Pulp is the wildlife art studio of Christopher Owen Smith.
Wild Pulp is the wildlife art studio of Christopher Owen Smith.
A larger-than-life honey bee navigates its way between flowers in a spontaneous, minimalist field of expressive floral structure that creates a sense of air and atmosphere—a bold snapshot that celebrates the strength and beauty of our beloved honey bees. Drawn in charcoal and graphite, the marks create a sense of movement while inviting close inspection of form, texture, and light.
300 lb natural white hot press cotton rag paper with deckle edges
20.5 × 26 inches
Original, signed on the front
Reach out via the Contact page with any questions you may have about this piece, drawing commissions or wildlife murals.
Inspired by the Japanese aesthetic of wabi-sabi, this robin lives in a world of earthy corals, grassy greens, and warm yellows. Layers of spontaneous gouache, graphite, and charcoal leave much of the paper untouched, allowing simplicity and imperfection to become part of the composition.
Museum-quality giclée print, created in studio
300 gsm, 100% cotton, acid-free paper
8.5 × 11 inches
Often overshadowed by the bright yellow breeding plumage of the male, the female American Goldfinch has a quieter elegance. This original graphite and charcoal drawing celebrates the subtle beauty of one of North America's most familiar backyard songbirds, resting on fresh vine growth. Part of The Aviary collection.
Original graphite and charcoal drawing
270 gsm (100 lb) acid-free paper
8 × 10 inches
Reach out via the Contact page with any questions you may have about original work, drawing commissions or wildlife murals.
“I am completely obsessed with bumblebees, so of course I fell instantly in love with Christopher Owen Smith’s nature-inspired charcoal drawings. Smith’s use of charcoal is what is truly unique about his work - it gives his drawings a somewhat smudged, almost messy quality that perfectly captures the fuzzy texture of bees’ bodies and simultaneously works to blur their outlines, freezing their swift movements in time. Somehow, Smith captures exactly what I love about bees in his naturalistic but still playful prints; they are chaotic but beautiful, agile, and lively.”
Mixed media: charcoal, graphite, archival pigment ink, antique pie tin.
300 lb natural white hot press cotton rag paper with deckle edges
8 × 10 inches, 15.5 × 12.25 inches framed in solid maple
Original, signed on the front